45歲以下建筑師的3個基本特征
Know Your Clients: 3 Essential Characteristics of Architects who are 45 and under

由專筑網(wǎng)李韌，蔣暉編譯

如果你想要了解45歲以下建筑師的興趣愛好、設計靈感、日常行為，可以仔細閱讀Bjarke Ingels的Instagram，在其中你可以學到很多意想不到的知識，如果你擔心沒有時間進行瀏覽，那么貼心的小編為你將各個要點一一總結(jié)了出來。

許多當代年輕建筑師都有著以下常見特點：

許多年輕建筑師都十分活躍，他們喜歡跑步或遠足，他們熱愛低碳出行，并且也有著自己的興趣愛好，這些愛好并非都與建筑相關。另外，他們還熱愛科技，這在一定程度上提升了他們的生活質(zhì)量，同時也提升了工作效率。而且，年輕建筑師都喜歡旅行，并且旅行的途中至少會去參觀某一個知名的建筑，而本次的參觀也許就能成為他們下一個項目的設計靈感。但是他們所關注的并非只有建筑，在社交平臺，這些年輕建筑師也會PO出許多網(wǎng)紅藝術作品，也許在某天，這些獨特的涂鴉墻就出現(xiàn)在了他們的設計作品之中。在他們的世界里，充斥著各種設計小物，這些小物都具有各自的情感特征，同時也能夠激發(fā)新的創(chuàng)作靈感。建筑師的靈感無窮無盡，他們在設計作品的同時也與大眾分享理念。Apple、Rotring、Lamy、Muji、Moleskine是他們最具認同感的品牌。

當說到自己的作品時，他們會變得眉飛色舞，他們不僅對于已完成的作品十分感興趣，同時也特別關注其設計與建造過程。他們時常會分享一些現(xiàn)場圖片，給大眾透露一點項目信息。如果有知名攝影師對其作品進行了拍攝，那么公眾便也能夠更多地了解到這個項目的理念、材質(zhì)、周邊環(huán)境，以及項目完成度。

年輕的建筑師都十分了解，如果沒有好的合作團隊，那么基本不可能完成一座優(yōu)秀的項目。這些大師工作室常常以主要負責人的名字、姓氏的字母來組合命名。例如BIG建筑事務所的名稱就來源于團隊主要成員，當然他們的團隊中還有許多能力不凡的人。

在Bjarke Ingels 42歲的時候，他已經(jīng)能夠為專業(yè)人士提供從事國際事業(yè)及創(chuàng)立公司等問題的參考，同時當Bjarke Ingels 了解到我們現(xiàn)在所從事的是正在破壞自然壞境的行為時，他提出了可以改進的方式。他的這種意識是將我們這一代人與全球化的可持續(xù)發(fā)展相聯(lián)系，具有前瞻性與長久性。

為了節(jié)約時間，小編為你總結(jié)了年輕建筑師的三個主要行為，這也許對你的職業(yè)生涯有幫助哦。

1、意識

“我想要完成哪些目標？這個項目會對社會造成什么樣的影響？”

環(huán)境因素對于一個項目來說，其重要程度并不亞于團隊合作。當建筑師在進行項目設計時，一般都會盡量地降低對環(huán)境的影響，并充分考慮項目的碳排放量，以及建筑材料的可持續(xù)性。

建筑師職業(yè)生涯成功與否并不取決于他們能取得多少經(jīng)濟效益，而是取決于其項目對于社會的影響力。在過去，如果建筑師受到尊重的原因是由于其接觸的建筑作品，那么在當今社會，人們也許對于建筑給社會帶來的變革更感興趣。

2、竅門

“這是什么材料？要花多少錢？”

許多年輕建筑師的職業(yè)生涯初期，常常參與一些小型項目的設計，并且負責施工圖的繪制。這讓他們積累了許多實際經(jīng)驗，能夠了解各項材料的應用方式，并結(jié)合到以后的項目之中。但是，仍然有許多年輕建筑師缺乏這些經(jīng)驗，他們對于材料的概念仍然有些模糊。

當他們進行材料的選擇時，他們會參考網(wǎng)絡平臺發(fā)表的相關項目。如果運氣好的話，他們能夠直接找到類似的項目進行參考，并且采用其中的技術與策略，同時也讓材料的選擇更具適應性。另外，年輕建筑師也偏愛低成本材料，因為這些材料能夠快速地進行組裝，同時不需要過多技巧，因為這樣會增加項目成本。

3、創(chuàng)新

“如果我將這個體量換個方向，或者安裝時將其倒置，那么會變成什么樣的狀態(tài)？能夠達到預期的項目效果嗎？”

年輕建筑師都希望努力讓自己的作品脫穎而出，因此創(chuàng)新就成為了必需品，但此時談論的并不是技術創(chuàng)新，他們常常會重新構(gòu)思建筑類型，從而以較低的造價提升建筑空間性能。

對于這些建筑師來說，創(chuàng)新并非只有高成本材料才能實現(xiàn)，而是應該重新考慮傳統(tǒng)的標準或模式。他們不斷激發(fā)材質(zhì)與空間的潛力，將其各項潛在能力發(fā)揮得淋漓盡致，因此他們甚至會將立面墻體材料運用在地面上。為了激發(fā)實驗創(chuàng)新精神，許多材料供應商會盡可能多地提供自己產(chǎn)品的相關信息，讓建筑師進行更多地了解，這樣才能夠探索出更加適宜的建筑策略。

技術人員同樣必須了解產(chǎn)品的每個方面，例如該產(chǎn)品有哪些樣式與尺寸？產(chǎn)品是否具有靈活性？甚至要了解到如果將室內(nèi)的建材運用在室外空間，會產(chǎn)生什么樣的后果。

If you want to understand the interests, aspirations and behaviors of architects that are 45-and-under, just perusing Bjarke Ingels' Instagram is an interesting and highly educational exercise… don’t worry, we already did the job for you.
It’s easy to see some of the most common traits of a young, contemporary architect:
Many are active and into sports like running or hiking, they love to get around on their bike and they have a hobby they are passionate about (hey, not everything is about architecture). They use—and love—technology to the extent that it facilitates their lives and increases their performance at work. They love to travel, and when they do, the destination must have at least one architectural project that will serve as a reference in their work—not to mention as a super-likable Instagram post. But they aren’t just on the lookout for buildings; anything artistic or cultural that moves or inspires them can merit a space on their social media accounts. A graffitied wall may one day spark the next architectural masterpiece. The world (their world) is full of design objects and everyday things that can generate emotional links and provoke new ideas. And it doesn’t stop with inspiration; the design objects they cherish for getting work done also become staples of the content they share. Apple, Rotring, Lamy, Muji, Moleskine are some of the brands that they identify with.
When it comes to sharing their work, they are not only interested in the finished project, but also in the design and construction processes. Photos from site visits are a must since they generate intrigue and allow the public to get a sneak peek into the unfinished work. Once the professional photographer comes through, the architect’s followers already have a pretty good idea of the project, its materials and ambient qualities.
Young architects are also very aware that the work they do would not be possible without a tremendously talented team of other architects and non-architects alike. They’ve moved on from naming firms after themselves in a first name, last name fashion and now take on monikers or made-up groupings of letters that one might associate more with a rock band than an architect. In the case of our current subject, BIG as a name serves to suggest that Bjarke’s GROUP has a Captain (Bjarke himself), but there are many diverse and powerful additions to the group.
At the age of 42, Bjarke Ingels has become a reference to professionals who want international careers and who want to work for their own firms, while understanding our current role in the destruction of the earth and proposing ways to make it better. It’s a kind of consciousness that ties this generation and their projects inextricably to a global, sustainable mindset.

To save you some time doing exhaustive market analysis, we’ve rounded up three key behavioral aspects that will help you understand and reach young architects.

1. CONSCIOUSNESS:
“What am I trying to accomplish here? What is the social impact of this project?”
Together with the importance given to teamwork, a fundamental part of these architects’ discourse is the environment. When they design they try to minimize the environmental impact of their projects and they are tuned into the carbon footprint of their projects and the production processes of the materials they will use.
The success of their career isn’t measured by the economic growth their office can achieve, but by the social impact generated by their projects. If, in the past, architects became respected and well-known by building architectural masterpieces, today architects are more interested in constructing social change through architecture.

2. KNOW-HOW:
“What type of material is this and how much is it going to cost?”
Many young offices begin with small-scale projects that allow them to be in charge of the construction phase. This allows them to precisely select materials and be involved in the project until the day the building is handed over to client. Nevertheless, it’s possible and probable that some young architects still don’t have enough experience or know-how when it comes to being aware of what kinds of materials are out there, available for them to use.
When they select materials, they are inspired by the projects they admired when they saw them published on ArchDaily. If they are lucky, within this same project publication they will be able to easily locate the technical information and application standards they are looking for, making the material selection process much more informed and adequate. Also, there is a strong preference for low-cost materials that can be easily and quickly installed without highly skilled labor that ultimately pushes up the cost of the project.

3. INNOVATION:
“What happens if I turn this product around and I install it the “wrong” way in order to achieve the look and feel desired in the project?”
Young architects will do everything to make their work stand out from the work of others. Innovation is a fundamental concept, but we’re not talking about innovation associated with costly technology. The innovation they are interested in is the kind that harnesses ingenuity and creativity and allows for a high-impact design at a low cost.
For these architects, innovation is not achieved using high-cost materials; it’s done by rethinking conventional or standard products. They strive to see beyond a material’s known potential, adjusting it and pushing its limits until they decide to use facade panels on the floor. To kindle this experimental and creative spirit, material providers can support the specification and selection process by providing as much information about their products as possible so that unconventional explorations do not negatively affect the budget of the project.
Technical specifiers will have to know, quite literally, every aspect of their products: they must know if it is possible to find the product in different formats or sizes that can offer greater versatility, and know what happens when products designed for interior spaces are placed on the exterior.
（轉(zhuǎn)載自專筑網(wǎng)）

        （該文章來源網(wǎng)絡，如有侵權(quán)請聯(lián)系15212443003，我們將第一時間進行刪除）